Long River Sessions – Ojeman Files: Brightwire
Description: Brightwire isn’t new to The Houston Collective, but this session marks a first—their full-band debut on Long River Sessions: The Ojeman Files. Sam and Kimberly Barker, the heart of Brightwire, expand their folk-tinged Americana into something bigger, something bolder. With Rebecca Stoll on bass, Joel Mora—veteran of The Hates and Red Cap—on drums, and Helf Helfenstein working magic on the lap steel guitar (despite the sideways technique that had the crew momentarily perplexed), this session brings Brightwire’s recorded sound to life with a raw, electrified energy.
The night kicks off with Better Off Gone, a track so good even Masaya admitted he liked it—though we won’t hold our breath waiting for another genuine moment like that. From there, the set moves through Ship’s Wheel on a Saturday Night, a barroom nostalgia piece steeped in Gulf Coast memories, before landing in Crystal Beach, a track that perfectly captures Brightwire’s knack for bittersweet storytelling. But the real highlight? The closer. Drag Your Tears Through the Sunshine rounds out the set, giving Kimberly the lead vocal moment she deserved long before the internet-only portion of the night.
Between the music, the banter is everything you’d expect—wry, self-deprecating, and filled with the kind of inside jokes that make Brightwire feel less like a band and more like your friends talking music over a few too many Lone Stars. Helf’s explanation of the lap steel guitar—”I never learned guitar, so I just got a stick and some open tuning”—gave the session its funniest moment and proved that sometimes, the best sounds come from breaking the rules.
With a year of full-band performances under their belt and an upcoming live EP in the works, Brightwire is proving their sound can stretch far beyond the duo setup. Whether you caught this session live or are just tuning in, you’ll want to hear how they make each song their own. As always, find more Houston artists at www.thehoustoncollective.com—because this city doesn’t run out of talent.
The 10 best albums from local Houston artists of 2024, according to music critic Joey Guerra
“Folk-rock trio Brightwire leans into its heavier side on this follow-up to 2022’s excellent “Cracked, Flawed and Frayed.” The trio’s plaintive charm, however, remains intact. The songs are about surviving and moving on, even when it’s difficult. This is an impressive evolution, and Kim Barker is a standout on “Threatening to Rain.” Read More
Vinyl Voices Radio & Podcast – Episode 28: Brightwire
Description: Brightwire visited the Vinyl Voices studio to talk about songwriting, play their handpicked cuts from their new album ‘Here, But Gone’ and tell some entertaining stories that had us laughing throughout the taping.
Threatening to Rain: An interview with Kim and Samuel Barker of Brightwire
“ZZ Top, Devendra Banhart, Archie Bell and the Drells, Mickey Newbury, Khruangbin. This is a brief glimpse into the storied musical heritage of Houston, Texas. Most recently, this cultural South Central American city is still delivering, recent proponents being rock and roll band BRIGHTWIRE. Hailing from the Bayou City, this combo brings together a rootsy amalgam of relatable storytelling folk and old-time country swing, finishing it off with a generous sprinkling of raw and primal punk punch. This fantastically bombastic and utterly compelling sound has been captured on quintessential underground records such as 2021’s Cracked, Flawed and Frayed and 2024’s Here, But Gone. As the band continues pushing this recent addition to their catalogue, bandmembers Samuel and Kim Barker sat down with Aldora Britain Records to discuss the group’s adventures so far.
22 Houston music releases you need to hear in 2024, from Kam Franklin to Kayo Da Konspiracy
“#4. Brightwire
Title: “Here, But Gone”
Genre: Alt-country, folk-rockDescription: Brightwire returns with their 3rd full length record. Dubbed our ‘hardcore record’ by the band, the songs on Here, But Gone are some of the fastest and most driving songs we’ve ever released. Read More
Brightwire’s Bold Leap: ‘Here, But Gone’ Fuses Punk’s Fervor with Alt-Country Roots
“Experience the collision of punk rock and alternative country in Brightwire’s bold new album, ‘Here, But Gone’. Explore the genesis of the album, the evolution of their sound, and the anticipation surrounding its release. Read More
Meet Samuel & Kimberly Barker of Brightwire
“Having any success in music comes from many other people in that world being ridiculously generous, supportive and kind to you. No matter how skilled you are, you won’t do much without the support of the entire community. I feel like my entire path has been filled with kindness and inclusion.” – Samuel Barker Read More
Baytown band looks for the light on music scene
Samuel and Kim Barker have a dilemma. They would love to be part of the live music scene in Baytown. Problem is… there really isn’t one.
The Central Heights couple, along with fellow musician Michael Helfenstein, make up the folk-rock group Brightwire. Their sound is mellow, their lyrics poignant. With echoes of John Prine, Tom Petty and The Little River Band, the music washes over you like the cooling water of a running brook in the hot Texas sun.
This is a working band – touring and writing and recording original music. And they haven’t gone unnoticed. Houston Chronicle music critic Joey Guerra included Brightwire’s “Cracked, Flawed and Frayed” album in his list of best Houston albums of 2021. Read More
Music critic Joey Guerra names the 12 best Houston albums of 2021
11. ‘Cracked, Flawed and Frayed,’ Brightwire: There’s something charmingly unvarnished about folk-rock trio Brightwire. That appeal is nicely captured on this album, a solid showcase for their vocal harmonies and playing skills. Read More
Brightwire Brings It All Together for New Album
The old adage says a union is more powerful than the sum of its parts. That message is at the heart of Cracked, Flawed and Frayed, the new album by the Houston band Brightwire. The record’s 11 tracks espouse togetherhood and feel very timely as we emerge from the solitude of COVID quarantine to a world of awaiting family and friends. Read More
Brightwire – Cracked, Flawed and Frayed – 9/10
A very diverse listen that welcomes dobro and washboard, among many others, Samuel and Kimberly Barker and Michael Helfenstein have crafted one of the most memorable folk albums in recent history, and the contributions from John Stoll (electric guitar, baritone guitar, harmonica, upright bass, theremin), and Liz Sloan McGovern (violin, fiddle) further solidify Cracked, Flawed and Frayed as essential listening in 2021. Read More
Review: Brightwire – Cracked, Flawed and Frayed
Brightwire stands before us, Cracked, Flawed and Frayed, hoping their art is something we might take. It is the humble opinion of this particular music fan you do just that. Roll down the windows, take the long way home, and slow things down a little with Houston, Texas-based Brightwire’s sophomore album. Read More
Meet Samuel & Kimberly Barker | Members of folk-rock band Brightwire
“On Our New Album That We Recorded During The Shutdown, Which Just Came Out, I Sang, Played Guitar, Bass And Drums. That’s Really The Reason Why I Have Pursued An Artistic Career: It Is An Avenue To Perpetual Growth, Endless Inspiration And A Community That Builds Its Members Up Rather Than Tear Them Apart.” – Samuel Barker Read More
Adobe & Teardrops: Episode 155
Cracked Edges appeared in a recent episode of the Adobe and Teardrops podcast: Episode 155
Review: Brightwire – Cracked, Flawed and Frayed
The rooted-Country/Americana style of Brightwire, paired in the video with the road trip views of New Mexico and Arizona, I-40 and Route 66, and the juxtaposition of unrelenting beauty in a time of unyielding stress, brings a sense of warmth and balance on what is an uphill climb for each of us individually. Read More